# INDEX.

...a lamb with a triple mouth (416.d); where black lambs are born (399.h); lambs born with five feet, along with their illustrations (543.f, 544); and an illustration of a two-headed lamb (418, 419). The text explores the definition of paternal kinship (111.e) and the marvelous agility of the human body (217.f). It identifies the nature of the *Agones* or ancient contests (182.d) and the wild-eating *Agriophagitae* (12.a). Readers will find accounts of the metamorphosis of the lark (194.c), the anatomy of the wing and armpit (77.e), and moral reflections regarding baldness (256.b). It describes the habits (169.h) and unhappiness of lovers (115.h), the customs of the Amazons (97.e), and the greedy *Ambrones* (181.f).

Botanical entries include the varieties of starwort (702.a) and its monstrous form (703), alongside definitions for a paternal aunt (112.a), true friends (179.h), and feigned friendship (266.c). It treats the tamer of Love (274.d) and various representations of Love (290.b), including why "sighted" Love is painted blind (290.a) and the nature of "Lethean" love (290.c). Observations on the almond tree cover monstrous leaves and their causes (677.e-f, 678), the different varieties of its fruit (708.c), and illustrations of monstrous almond fruits (709).

The volume records the golden maxim of Anaxagoras (114.a), a four-footed duck (563.e), species of alkanet (690.a-b) with its monstrous illustration (692), and a maidservant who bore five sons (58.f). It mentions the people of Andagauilla (97.g), the *Androdamas* stone (135.e), the man-eating *Androphagi* (133.g), and etymologies for the herb *Androsace* (135.e) and the herb *Androclos* (135.f). Mythological references include Andromeda tied to the rock (192.a) and her constellation (299.e).

A significant section is devoted to androgynes: who they are (41.e), their illustrations (42, 514, 515, 517), how they were killed by the Ancients (513.h), their synonyms (513.d), and their various types (513.f). Other topics include the language of angels (228.a), remedies for quinsy (311.e, 314.b) and its moral significance (257.h), the character of the English (105.g), and adages about eels (269.h, 270.4). It identifies the "Serpent-Bearer" constellation (299.e), moral lessons on breathing (258.a), and the transmigration of souls (209.c).

Regarding the soul, the text asks what a sinning soul resembles (253.g) and describes the human soul as the temple of God (114.a). It discusses the nature of the "divine animal" (113.e), the elements of animals (71.g), and how animals serve humanity (112.b). There are accounts of creatures generated in the trachea (214.a), where monstrous animals are found (337.e), and animals generated within the female womb (601.e-f), including illustrations of those found within humans (219). It examines the causes of conjoined animals (627.c), the relationship between animals and plants (663.g), and the generation of animals from plants (663.h).

Further entries include a description and illustration of a deformed African animal (322.d, 323); the phenomenon of heat-haze known as "the old woman dancing" (184.a); the number and nature of climacteric years (70.b); how the seasons of the year are denoted (281.g); and Egyptian year-reckoning (69.f). It features a four-footed goose (563.e, 564), a twin goose (626), and a two-bodied goose (660).

Ancient and mythological figures include the Roman goddess *Antevorta* (363.d), the god Anteros (290.b), the *Anthropodamon* (135.e), and the man-shaped herb (135.f). It covers the man-eating *Anthropophagi* (16.a), the Antichrist (225.h), and the god Anubis (430.d). Notes on the "appetite" of the human neck (128.a) are followed by Apelles painting Alexander (264.e) and Apollo’s various forms: his transformation into a raven (193.e), his appearance with the Muses on coins (281.g), and his depiction as a symbol of wisdom (289.e). It lists various images of Apollo and describes the animals that pull his chariot (341.h).

Finally, the index entries include the metamorphosis of a wild boar (189.f), depictions of the utility of water (291.e), differences in waters (290.d), and their varying powers (399.h). It identifies the figure of Aquarius (299.b) and provides names, descriptions, and illustrations for the monstrous columbine (698.d, 701). It concludes with the metamorphosis of the spider (194.c), the image of conquered Arabia (284.d), the ancient Arcadians (280.a), Arcas's transformation into the Herdsman constellation (186.b), the poet Archilochus (222.e), the naming of the *Arctophylax* (298.e), the dimensions of Noah’s Ark (67.e), the Bear constellation (298.e), the naming of the heron (208.a), Argus's change into a peacock (185.e), and the architect (139.h).